《From Here to There》[從這邊到那邊 ]藝術家專訪：胡洛泓 Marco Wu

紙飛機很多時候都有一種象徵意義。可能普遍人會覺得它是一個希望或者期許。因此，在中學畢業前的時候，很多人都會有掟紙飛機的儀式。然而，我覺得有點矛盾，因為其實這件事是一個假的東西。它不是真正的飛機，也不是一個載具，無法盛載任何的東西。而且，它會有一條拋物線，最後它都會落到地下。

Paper aeroplanes often have a symbolic meaning. It may be common to think of it as hope or expectation. Before graduation from high school, many people launch paper planes. But I think of it as a bit of a contradiction. Actually, these objects are fake, they are a substitute. It's not a real plane and certainly not an actual carrier. It can't hold anything. It forms this parabola and is bound to end up on the ground.

這個狀態就像是我們最後都會回到自己日常的生活，帶著一種無奈的感覺。沒有了顏色在畫面上，即是顏色被刪掉的話，可能觀眾會更加留意作品的形式。在這次的展覽中，我會比較著重於紙飛機的形式以及一些長的直線的結構。

This state echoes how we all eventually get back to our daily lives. There's a feeling of helplessness, there's no more colour on the screen. And if the colours have been removed, it might entice the audience to pay more attention to the form.

我的作品中也包含陰影的元素和一些覆蓋的元素。如果加了一個盒子的話，它打燈的陰影就會反映在畫面上，產生不同的變化，可以強調陰影的存在。

My work is all about the shadow. Some overlaying components appearing when the element of the box is added, how it transforms under the lighting. These variations emphasise the existence of the shadow, its presence.

窗是一個可以看到外面的空間，但你無法走出去。加入這個可打開的盒子元素，可以讓觀眾體驗隱藏與打開陰影的變化。

A window is a space that you can see out of, but that you can’t get out from. I added movable parts, making these boxes open because it allows the audience to experience the change of hiding in, then opening, the shadows.

我中間會加入不同的設計，讓它無法完全打開或完全關上。在這個過程中，這種無法完全打開和關上的不舒適感受是我想讓觀眾去體驗的，表現出不想完全隱藏，但又無法將所有東西講出來的感覺。

I also added various mechanisms in these pieces so that it can neither be fully opened nor fully closed. In this process, there's no way to completely open or close the door. It's an uncomfortable feeling. It's all about the audience's experience. A feeling of not wanting to hide completely, but also not wanting to share everything.