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Landing on Enclave
著陸飛地
Exhibition Period: 2nd May 2025 – 28th April 2025
Opening Ceremony: 2nd May 2025
A solo exhibition of 鄧穎姸 Amy Tang.
鄧穎姸於1990年生於香港,於2014年修畢香港中文大學藝術系文學士課程,並於古洞及中山設立工作室,專注繪畫創作。
藝術家試圖擴展「景觀(風景)」的概念,推翻其簡單的分類,她認為景觀視點不一定是固定的,相反地,她深入拓展景觀的抽象潛能,表達其本質而非物理屬性,選擇形而上的圖像研究,而非刻板的具像描繪。這讓觀者能被繪畫本身而非其象徵意義所引導,並引領他們潛入自己的想像中。
透過筆觸的疊加和刮削,令痕跡反覆隱沒又再現,她的繪畫系統所呈現的抽象空間,是秩序的建立與崩解,將衝突狀況與日常的整全作對比,凸顯其差異與殘缺。這兩種狀態之間的張力是通往他處的的起點。畫布的框架 - 或藝術作品的邊界 - 既是空間的佔據和分割,同時也是開啟其他可能性的通道與接口。
Amy Tang Wing-yin was born in Hong Kong, 1990. She graduated with a Bachelor of Fine Arts from the Chinese University of Hong Kong in 2014 and established her studio in Kwu Tung and Zhongshan, focusing primarily on painting.
The artist seeks to expand the concept of "landscape," challenging its simple categorization. She believes that the perspective of a landscape is not necessarily fixed; instead, she explores the abstract potential of landscapes, expressing their essence rather than their physical attributes. Choosing a metaphysical approach to image study over a rigid, figurative depiction allows viewers to be guided by the painting itself rather than its symbolic meaning, inviting them to delve into their own imagination.
Through layered brushstrokes and scraping, her paintings reveal traces that repeatedly disappear and re-emerge. The abstract space presented in her work embodies the creation and collapse of order, contrasting the tensions of conflict with the wholeness of the everyday, highlighting their differences and incompleteness. The tension between these two states serves as a starting point for new pathways. The frame of the canvas— or the boundaries of an artwork— occupies and partitions space, while also serving as a threshold and interface that opens toward other possibilities.